lynnenne (
lynnenne) wrote in
mcu_cosmic2019-02-03 12:45 pm
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Let's Talk About Asgardian Colonialism
Hello, and welcome to your weekly Sunday discussion post! This week's topic has minor spoilers for Thor: Ragnarok and Infinity War, so I'm putting it beneath a cut for anyone who hasn't seen the films.
In Ragnarok, we learn that Odin was every bit the tyrant Loki always claimed him to be. Hela reveals that, before Thor was born, she and Odin built the Asgardian empire by conquering and subjugating other worlds. I personally loved this reveal because OF COURSE THEY DID.
Taika Waititi, a filmmaker descended from the indigenous people of New Zealand, was the perfect director to take on this topic. But does he take it far enough?
In an early scene, when Loki (as Odin) says that the other worlds are best left with their freedom, Thor replies, "Yes, the freedom to be massacred." This implies a paternalistic attitude to the other worlds, which has often been used (in Earth history) to justify any number of crimes against indigenous peoples - from taking away their children and sending them to church-run schools, to wholesale invasion and slaughter.
Later on, after Odin's past has been revealed, Valkyrie tells Thor, "That's what's wrong with Asgard - the throne, the secrets, the whole golden sham." Thor agrees with her, and says it's why he turned down the throne. Yet at the end of the movie, he accepts it.
Does Thor's acceptance of the throne undercut the implicit condemnation of colonialism in this film? Should Waititi have taken the issue further, and if so, how? If the Asgardian refugee ship had made it to Earth, would Thor have tried to establish some sort of parliamentary democracy? Or would he have stayed on as king, continuing to "protect" the other worlds even though they didn't ask for it?
And in a broader sense, is the very notion of a "superhero" a symbol of imperial military power - the paternalistic "good guy" who intervenes everywhere even when nobody asked for his help? (This topic is touched on in Civil War, but undercut in Infinity War. Of course Marvel is never going to explicitly condemn superheroes because then they'd be out of business.)
In Ragnarok, we learn that Odin was every bit the tyrant Loki always claimed him to be. Hela reveals that, before Thor was born, she and Odin built the Asgardian empire by conquering and subjugating other worlds. I personally loved this reveal because OF COURSE THEY DID.
Taika Waititi, a filmmaker descended from the indigenous people of New Zealand, was the perfect director to take on this topic. But does he take it far enough?
In an early scene, when Loki (as Odin) says that the other worlds are best left with their freedom, Thor replies, "Yes, the freedom to be massacred." This implies a paternalistic attitude to the other worlds, which has often been used (in Earth history) to justify any number of crimes against indigenous peoples - from taking away their children and sending them to church-run schools, to wholesale invasion and slaughter.
Later on, after Odin's past has been revealed, Valkyrie tells Thor, "That's what's wrong with Asgard - the throne, the secrets, the whole golden sham." Thor agrees with her, and says it's why he turned down the throne. Yet at the end of the movie, he accepts it.
Does Thor's acceptance of the throne undercut the implicit condemnation of colonialism in this film? Should Waititi have taken the issue further, and if so, how? If the Asgardian refugee ship had made it to Earth, would Thor have tried to establish some sort of parliamentary democracy? Or would he have stayed on as king, continuing to "protect" the other worlds even though they didn't ask for it?
And in a broader sense, is the very notion of a "superhero" a symbol of imperial military power - the paternalistic "good guy" who intervenes everywhere even when nobody asked for his help? (This topic is touched on in Civil War, but undercut in Infinity War. Of course Marvel is never going to explicitly condemn superheroes because then they'd be out of business.)
no subject
That's a good point, and I would love to see this angle explored in the upcoming Loki TV series. I think one of the reasons Waititi didn't go that route is because he really wanted to make this Thor's movie; he says in the commentary that he wanted to "make Thor the most interesting character, otherwise don't call the movie Thor." The consensus on The Dark World was pretty much "movie terrible, Loki great" and he wanted to avoid that outcome with this film.
Doesn't help that the one character advocating for more democracy - Korg - is also meant to be a joke as well
Hmmmm. I don't see Korg as being made into a joke. He's certainly there for comic relief, but I thought they did a pretty good job of making him real and lovable. But you're right that he's the only one advocating for more democracy. One of my favorite lines in the whole film is when he says, "The revolution has begun!"
no subject
And like, there's wanting to put Thor front and center, and actively avoiding drawing any link with Loki and the anti-colonialism theme. It's not as that message went to any great depth either, it would have been nice for just an acknowledgement of the link.
The revolution has begun line was funny, but there was also that line about him ending up a gladiator because of his failed pamphlets and the revolution where only his mother and her boyfriend turned up. Not to mention Asgard literally exploding while he was pontificating about rebuilding (
hello other joke I also hate very very much, your timing sucked. So he might be lovable, but we were certainly not meant to take his stance on democracy or his methods seriously.